Del. Yeah, I saw a Rippen grand at NAMM the day we bombed Iraq. No kidding. One of the Rippen family was there and hyping it pretty good. NAMM isn't a good place to evaluate a piano, but it seemed pretty nice, but I don't know any details about the action, but Herr Rippen said it had the reverse crown board. I think Lyon and Healy was selling it as a stencil. Back to my old Rippen studio. It was built like a tank, and nothing folded down. It seemed like it weighed about 5,000 lbs (actually it was 45" tall and weighed right at 500 lbs., and had no casters. Perhaps the fact that it stayed put contributed to the solid tuning. With the exception of a Yamaha U7 I used to take care of, the Rippen was my candidate for the best upright I had yet seen, (the Fandrich notwithstanding) and remained in tune despite the fact that for years the owner kept it in a west facing bay window (against my conststant objections). They gave it to me to babysit for the last 4 years, and putting it on an inside wall kept the finish from further fading, but had little effect on the already remarkable stability. I wonder if the concave soundboard was less prone to swelling and shrinking that the usual crowned board? I tuned this guy every 6 months almost from day one back in '81 or '82, and it was ALWAYS right up to pitch. It boasted a very long, even sustain. Everyone that played it was blown away by the sound and action. I sent it back to the owners a few months ago, and I have missed it ever since. A lot of really good design and workmanship went into that piano... Steve
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