Adding insult to injury, I picked up an Acrosonic which the movers broke the legs off. The corners of the cardboard keybed were broken diagonally but epoxied well,and a birch plywood reinforcement next to the keyframe added extra support for the bolt. Then I set it up, started to tune it, . . . what is that clicking. First, I thought it was a piece of glue on the rest felt. Lo and behold! I can not tell you what a pleasure it was to replace the butt leather. Jon Page Harwich Port, Cape Cod, Mass. (jpage@capecod.net) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ At 07:41 AM 1/25/97 +0000, you wrote: >Greetings List, > > With all this discussion of stone-related piano construction >techniques, I hope some of the enlightened members of the list can >help me with some identification of another type of geological piano >part, namely the substance used by the Baldwin Co. in their wonderful >petrified butt leathers. I've put together a tech. column on removal >& replacement for my newsletter, and I would like to find out just >what the @#$% those things were made of so I can sound knowledgeable >on the subject. All of the Baldwin Tech Service folk are returning >from NAMM and are unavailable until next week, so I throw the >question open to everyone. > >Humourous responses encouraged, any responses welcome, > >Regards, >Rob Kiddell >R.P.T., P.T.G. >C.A.P.T. Student >Edmonton, Canada >http://www.planet.eon.net/~atonal/atonal.html > > Jon Page Harwich Port, Cape Cod, Mass. (jpage@capecod.net) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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