Estimado Senhor Carlos Gustavo Kersten, I am curious to know what comments technicians in Brasil would have to the article you quoted, about a norteamericano pianist who presumed to bring "Steinway expertise" to South America due to the lack of knowledge and skill he perceived there. I think I would speak for most of us here in the USA in saying that we know next to nothing of conditions south of our borders. I know there is a high level of musical culture in Latin America, and that the piano plays a prominent role. Are there adequate tuner/technicians? Is there a formal system for training? testing and certification? Where do you get parts? What piano makes are most prominent, and from where? I spent a year in Brasil in 1965 (was 12 years old at the time), mostly in Sao Paulo, but travelled to Rio, Belem, Manaus, Brasilia, Porto Alegre, etc. A beautiful country. A couple years ago pianist Fernando Lopes of Campinas came here to Albuquerque, New Mexico to give a concert with violinist Ayerton Pinto. I tuned for them, had nice conversations, and played some Villa Lobos piano works for senhor Lopes (Cirandas, Ciclo Brasileiro. I "specialize" in Latin American piano music). Perhaps you know them. We also have a Brasilian Flute Professor here at the University of New Mexico, Tadeu Coelho, likewise from Campinas. The University has an emphasis in Latin American studies, and has exchange programs with a couple universities in Brasil. Music professors from here have gone to Brasil to give concerts the last two or three years, and I think at least once to Petropolis. Violist Nancy Uscher, violinist Leonard Felberg, and flautist Tadeu Coelho went as I remember, perhaps others as well. Ate logo, Fred Sturm Albuquerque
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