> Date: Fri, 03 Jan 1997 12:59:59 -0500 (EST) > From: Frederick G Scoles <scoles@oswego.edu> > Subject: Re: Hide glue tech tip > To: pianotech@byu.edu > Reply-to: pianotech@byu.edu Dear list, I also don't have any problem with the odor. I got mine years ago through Schaff, I believe. It has a slight amber color. The odor comments brought me back to 1973 when I was at Western Iowa Tech in Sioux City, Iowa learning my trade from the great Bob Erlandson. I remember in the summer especially, the odor in the air from the rendering plants was so bad it almost smelled good! ilvey, RPT Pacifica, CA > On Fri, 3 Jan 1997, Danny Moore wrote: > > > Ron & List, > > Just a note to agree with your hot (glue) tip. We used this method in > > school at HCC under Jim Geiger. I've since tried other methods, and > > yours seems to be the most efficient. Now, if someone will just come up > > with a way to eliminate the odor. . . > > > > Thanks, > > D.M. > As for the odor, Pianotek Supply Co., Mohawk, and Milligan & > Higgins, all suppliers of the highest quality hide glue suggest piano > rebuilders use only the highest quality hide glue. It is almost clear in > color (slightly amber), and usually has very little odor. They say that > the lower quality, darker batches are the ones that have the odor. My > nose is dead (as are other parts of me I'm sure), but the family says > that the clearer, high quality glue is a drastic improvement. If high > quality glue is accidentally over heated, it will of course smell as the > proteins are breaking down; then it's not glue any more. It doesn't hurt > to clean the glue pot every so often, also. I think some of these things > were discussed about a yr. ago; Pianotech Archive. > > I used to use the lower quality hide glues and sometimes a bone glue > (they don't cost quite as much), but everybody complained about the odor. > > Fred Scoles, RPT > >
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