> Unless the customer knows that when the soft pedal is depressed, she should > also play a little softer, there is not going to be much of an effect. Some > people seem to think that the soft pedal is like the volume control on a > stereo, and that the volume will decrease significantly. IMHO the soft pedal > on any upright piano should be disconnected. In fact, it should never have > been made part of it in the first place. It realy doesn't do anything, except > make the action play lousy. > > Willem Blees RPT > St. Louis In general, I agree with Willem's point; especially since most newer (after around 1915??) uprights use a type of cheap, simplified soft mechanism that allows the action to fall out of regulation and also allows excessive lost motion between jack and hammer butt during "soft" pedal use. More than one piano sales person, and books have said that the current "soft" pedal design is probably there to fulfill the need to give the upright a working third pedal to make it look more like a grand, and to help it sell. Would uprights with one or two pedals sell well? Early century, several companies tried to solve the problem with actual working (usually more intricate and time consuming to regulate) soft pedals; but they fell by the wayside due to cost of production, marketing, or technical reasons. Some examples are the Wessel, Nickel, & Gross lost motion compensated soft pedal; and the Americal Piano Co.'s upright Ampico A lost motion compensator (1926). These mechanisms can work well, but were costly to manufacture and require several hours to properly regulate. Most of these early lost motion compensator systems I have worked on were previously neglected or regulated beyond recognition (not working) by someone else. A well designed upright soft pedal with good lost motion compensation can sometimes play like lightning and certainly adds another dimension to a good upright. But, I agree that the standard Soft pedal design is pretty worthless and on many uprights can cause grief. Some service manuals say to regulate the hammer rail for "soft" with hammers half-way to string. Actually, I think most uprights work much better if the hammers are regulated about 1.5mm further away from the strings than half-way. Fred Scoles, RPT
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