Hi everyone, In a PTG convention in Qu=E9bec city few years ago I met a Piano Technician from France who claimed he never used mutes when tuning. I didn't have the chance though to talk in details with him about the technique but this must be quite an achievement. When the pitch of a tricord is quite off, I usually do not use the mutes as I can easily discriminate the specific string I am bringing up to pitch. In an aural pitch raise for example, I can tune a quite honnest octave as the tuned string comes out quite distinctly from the others. But when the pitches of the strings are very close to each other, I only hear a blurr and cannot go without mutes. I have a picture in a magazine showing Franz Mohr tuning a grand piano (did he ever tune an upright?). He does not seem to use any mutes. Is it his usual habit or was it for the sake of a quick shot? Has anyone ever heard of, or used such a technique? Michel Lachance, RPT
This PTG archive page provided courtesy of Moy Piano Service, LLC