>>At 02:22 PM 5/6/96 -0600, you wrote: >>>>Our church is considering buying a Baldwin upright Concert Vertical model >>>>6000 >>>>for use in the sanctuary. Does anyone have information on the >>>>reliability of >>>>service or suitability of this piano? We are planning to spend about $6300 >>>>on >>>>the piano. Thanks for any advice. Judy Greenhill Dear Judy, I have had recent experience with this model. One of our recent graduates with a DMA in piano purchased a Baldwin 6000 last year, and I tuned it for him in the Fall. Both he and his teacher felt that it has a good tone, and as far as I know he has been happy with it. Last week one of my clients purchased the same model for her daughter, a piano teacher, without playing a note first. When I discussed it with a colleague who has worked for the Baldwin dealer, he warned that the action can be problematic. As predicted, when I tuned it I found that the action felt insubstantial and sluggish. Later the client called to express concern about the poor repetition. The tone was rich and round, despite the spinet sized hammers; but I suspect that the action will continue to be a problem. I have not seen a Baldwin vertical action that I could recommend for many years. Furthermore, the stringing includes the infamous bend at the becket, a practice that I have only seen elsewhere on the utter trash pianos produced in North Carolina several years back. In my experience, most of the major producers of Japanese pianos make very good verticals, especially in a comparable height to the Baldwin 6000. Even the Young Chang is worth checking out. We had one on trial in our School of Music a few years back (a 48"), and found it nearly comparable to Yamaha and Kawai. Those who prefer the warm and round tones of "classic" American pianos might lean toward the Baldwin; it is a pity that the actions are so flimsy. Have you consulted the Fine book, "The Piano Book"? Regards, Charles Charles Ball School of Music University of Texas at Austin ckball@mail.utexas.edu
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