On Sun, 23 Jun 1996 18:52:45 -0400, PIANOBIZ@aol.com wrote: >In a message dated 96-06-22 13:06:37 EDT, you write: > >> Was surprised that nobody mentioned the possibility that the hammers at >>the break might have been voiced to death at some point. I have noticed that >>the last few treble hammers are occasionally over-voiced in an effort to >>smooth the transition to the bass. I would have shifted a hammer from 5 or 6 >>notes up down to the break... just to see if that were the problem. > >Jeff mentions that the hammers may have been over voiced, which brings to >mind for me a question I've had with voicing bass hammers in general. Have >any technicians actually had success in voicing out unpleasant noises in bass >strings? If so would you be willing to share your method? I've always >wondered if in the end you're just lowering their volume by softening the >hammers, the unpleasant sounds still present? > >David Sanderson >Pianobiz@aol.com > > I know this may sond a bit obvious but in case it was overlooked, ... I usually have good success in getting rid of unwanted bass string sounds by holding a pair of needle nose pliers on the core wire and hitting the pliers with a hammer in the direction of the rest of the winding, in effect compressing the winding. I first tried this with a universal string (I only use in situations where the customer \cannot affors the correct repair) but found it works with "real" strings as well. Hope this helps. Greg Greg & Mary Ellen Newell gnewell@en.com dt945@cleveland.freenet.edu gnewell@juno.com
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