Stephen & List, Some years ago (12 - 14) Kimball brought some ulta-high speed motion picture photography of a bass hammer striking a string. Clearly the origination of the fundamental was shown as well as the strking of the hammer by the string, two or three times by the fundamental and the 1st harmonic. Obviously energy was transferred back to the hammer by the string. Not long after seeing this film I encountered a Yamaha grand which had one bass note appreciably weaker than its neighbors. Remembering the Kimball film, and the dramatic hammer shank flexion, I lightly sanded the hammer shank to make it more limber and, presto, the aural strength of the sounded note increased to that of its neighbors. I took this as an indication that I had decresed the reverse transfer of energy by facilitating the return of the hammer and thus reducing the number of string to hammer hits. (For those of you who haven't seen this or a similar film, the bending of the shank looks exactly like the bending of a fly fishing rod when the angler is casting.) If you have, or can get, access to this film I recommend you do so. Regards, Jim DeRocher
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