>> PS -- It's really pathetic to think that only fear of litigation would motivate a business to make a piano safe. It's true Ken, but then you did mention bars/lounges, no? Last week, I tuned and replaced some strings (no surprises here) on an obscure-named toy grand in a bar/restaurant. The piano had six legs, but was NOT an ex-reproducer. All the legs had been repaired in the past, but I still kept my knee under the keybed for my own safety. In spite of marginal tuning pin torque, _any_ hammer movement would cause the piano to move like a bowl of Jello. Before the work, I informed the owner that the piano was _past_ due for replacement (not reconditioning) -- for many reasons. During the work, I submitted that the piano was dangerous to the player and to customers, because of the legs. After the work, I told the owner that the piano was a prime candidate for land fill. It was not until I got to the part about the likelihood of his establishment being sued that I got a reaction. He asked about repairing the legs. I pointed out that in addition to failed glue joints, chunks of wood were missing from the leg assemblies, further compounding the problems; that extant repairs had been done poorly, and that I would not suggest another repair effort. (In this instance, I was covering ME!) I did suggest, in my own style, that if he were not going to replace the instrument, he should consider lag-bolting the beast to the wall, and place caution signs on/around the piano. When I worked for Los Angeles City Schools, anything that had to do with piano stability (casters, toe blocks, etc.) took precedence over _anything_ else. This was not a judgement call by the technician, rather mandated by the district. To further dramatize this, if we were called to tune for a performance, and happened to spot (even another) piano that was unstable on the floor, the unstable piano took priority over the tuning. I once shut down a kindergarten room because of this, until repairs could be made. /Jim Harvey
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