>This morning I inspected an 1884 John Broadwood & Sons Drawing Room >Grand. This is the first time a piano technician has looked at it since ... >Question 1: To what pitch was it designed to be tuned? Here is an extract from an article in the Journal a few years ago about how pitch "standards" have changed... perhaps it might help? --------------------------------------------------------- 1874 A=454.7 London. Fork representing the highest pitch used in Philharmonic concerts. The highest pitch used by the Broadwood Piano Co. 1876 A=446.7 London. Concert pitch 1877 A=449.9 London. Standard fork used by Collard Piano Co. 1878 A=451.9 London. British Army regulations. Pitch for Wind instruments. 1879 A=449.7 London. Pitch of the Opera Orchestra at Covent Garden during performance 1879 A=454.7 London. Tuning fork used by Steinway & Sons to tune pianos in London. 1879 A=457.2 New York. From a tuning fork used by Steinway & Sons. 1880 A=444.9 London. Her Majesty's Opera. 1880 A=446.2 London. Tuning fork used by John Broadwood and Co. for in-house tunings but NOT for public concerts. --------------------------------------------------------- That was a fascinating article... unfortunately it doesn't say which issue and who the author was in the bit I typed out back then. John John Musselwhite, RPT Calgary, Alberta Canada musselj@cadvision.com sysop@67.cambo.cuug.ab.ca
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