---------- Forwarded Message ---------- From: Bill Spurlock, RPT, 74077,3053 TO: INTERNET:rwest@unlinfo.unl.edu, INTERNET:rwest@unlinfo.unl.edu DATE: 11/27/94 8:38 PM RE: Copy of: concert hall humidity Richard, Regarding the question of storing a concert instrument in a climate controlled box, then rolling it out onto an uncontrolled stage area: I feel that situation is still better than having the instrument sit in a fluctuating environment all the time. I service one piano in just that situation. Prior to setting up a Dampp Chaser equipped box for off-stage storage, the piano was never on pitch when I went in to tune it. Even if it was close to pitch, the unisons were wild from the constant fluctuation. Now it lives in its box between uses, and has finally settled down. I have it moved out on stage the day before I'm to tune it, which sometimes causes small pitch changes. However, it always has an even tuning pattern on it and so is much easier to tweak back to A-440. Here in the Sacramento Valley we don't have nearly the seasonal humidity swings that you do in the Midwest, so I've equipped the piano box with dehumidifiers only. This eliminates any need for system maintenance, and keeps the piano from ever going sharp. I suppose that a system could be adjusted to better follow the seasonal swings somewhat, i.e. reduce the number or wattage of the dehumidifiers during the humid season to make the box condition a little more like that of the theater itself, then increase dehumidification during the dry season. Bill Spurlock
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