Bill Garlick is a great teacher and an interesting guy - on that few would disagree. But when I read his letter, I reacted two ways. One, he sounds angry and bitter, and takes all this PTG stuff very personally. Two, he makes some points with which I disagree. Bill starts off his Diatribe by asking for an exemption from PTG politics. He has opinions - obviously - yet he professes stage fright too excessive to speak before Council. He forgets that Council is composed of the same people he's been charming in his classes all these years. Perhaps he'd be less angry if he participated in the process rather than proclaiming himself powerless. Most of us who speak up at Council do so in spite of sweaty palms and fluttering hearts, but believe that participation in democratic decision-making is the way to effect change. Hurling bricks then fleeing into the darkness is not responsible behavior, nor is it usually successful. PTG is a democratic organization. That means we have to put up with all the flaws of participatory democracy - including losing. PTG is further hampered by being run largely by volunteers. Admittedly, our amateurish efforts as writers or political operatives don't always match everyone's expectations, but we're trying our best. Maybe our best will eventually get good enough. One can only hope. An alternative is to hire professionals. PTG did just that to help us create our new PTG marketing materials (500,000 pieces sold so far - yes, half a million, that's not a misprint) and were mostly written by PTG volunteers, and which have made money for PTG and, assumedly, money for those that members that are using them. If you don't have a large private tuning clientele, you may not realize how useful all this stuff is. After driving around all day tuning pianos, then calling up customers in the evening (and trying to have a social and family life), we PTG volunteers still find the time to write Journal articles, ponder committee issues, teach classes at conventions, lead our chapters, etc. Why do we do it? It's because we believe that PTG is a good thing and we want to keep it alive. Luckily, there are enough of us who can sacrifice the income and free time - and are able to put up with the brickbats - to keep PTG afloat. It's not an unsinkable ship; remember that PTG almost went bankrupt in 1980. What's most distressing in Bill Garlick's letter is that he seems to support a boycott of volunteerism and the collapse (his word) of the Annual Convention. I'm sorry he's come to be so resentful of PTG volunteers, who could never compete with his vast abilities or talent as a private teacher. When I was a beginner, I learned a lot from PTG. Now I want to give something back. Maybe years from now, I'll only be asking "What's in it for me?" Until then, I work and write and teach for free because I want to. When I don't want to, I'll stop. But I hope I'll never resent PTG for doing what it's supposed to do - helping piano technicians become more skilled and more wealthy. My point? Groups have two types of members: participants and observers. The former have the courage of their convictions to turn their beliefs into action. The latter have chosen to watch the action from the cheap seats in the upper bleachers, where their faces are dim and their voices indistinct. Anyway, Bill Garlick's elected delegate speaks for him at Council meetings. In fact, Bill's viewpoints have been expressed - vigorously albeit by others - at several Councils, and numerous proposals that reflected the Garlick Diatribe have been voted upon. Most have been defeated. Instead, Council has voted to support the Marketing Committee, support the PACE program, etc. In response to some specific points mentioned here on the net: I agree with my friends Ken Sloane, Steve Brady, Bill Spurlock and others who've said that getting involved in PTG, rather than complaining from one's ivory tower, is the way to change it or receive its fullest value. Tom Winter hit the nail on the head when he wondered if becoming a more mature technician is making him less dependent on PTG. He also said he misses PTG activities from the old days - discussions on how to handle the IRS, birdcage tuning, trading supplies among techs, and after-meeting beer chats. Well, Tom, I'd like to invite you to a Puget Sound chapter meeting anytime you're in my neighborhood, where we do all the above and more. Michael Wathen wrote that he has "a bitter taste" about how much support PTG is offering Associates because, back in the old days, he had to learn the hard way. This is a common complaint, but is an over-reaction and over-simplification of the issue. Surely Michael's not proposing we drive horse-drawn buggies because cars get you there too fast, outlaw Accu-Tuners because they're too accurate, or teach Associates how to tune the temperament but not the treble. More importantly, we all know that piano technology is not mastered simply by reading a few PACE articles, but requires years of hard work and personalized instruction from an experienced professional (and be willing to pay for it). Michael Wathen and Bill Garlick make the mistake of overestimating the educational materials PTG is offering Associates (and RPTs), which were never intended as a substitute for real education, but only as a boost, a momentum builder, a glimpse of what's around the corner. Bill Spurlock, who has done more for PTG in the last ten years than anyone else I know, said it all, and said it well, especially when he says that PTG's recent educational efforts (like PACE) are simply a continuation of long-standing PTG activities. The quality is higher (is that really what folks are objecting to???) and the format may be different, but it's still the same stuff we've been enjoying in Journals and conventions classes for many decades: how to tune, how to repair & reg, and encouraging more Associates to pass the RPT exams. A few days ago on PianoTech, Vince wrote: "So far, I haven't heard anybody very happy about the direction PTG is going, except a few people that show up as delegates at council, and some of the more outspoken RVPs...I think there are more in agreeance with people like Bill Garlick and Ernie Juhn and Charlie Huether than Eugenia Carter and Mitch Keil (sic). But obviously even more who couldn't care less!" My response: One: I guess you aren't talking to the same people I've been talking to. Two: MAJORITIES of delegates representing MAJORITIES of members have voted numerous times to create and support these programs. Three: If, as you claim, there's lots of people "who couldn't care less," I challenge them to either start caring or get out of the way. And four: Thanks for the honor of mentioning me with some very illustrious PTG personalities. I never suspected I was regarded as a representative of a certain political wing of PTG. I'm flattered - I think. Mitch Kiel
This PTG archive page provided courtesy of Moy Piano Service, LLC