I too am in the process of restoring a M&H BB using WNG parts. It discussion has been most interesting and I thank everyone for answering many of my questions before they were asked. I played the CC at Las Vegas this summer and was very impressed the touch and its evenness. I was, however, literally frightened by the tone quality. At first I thought that it was amplified and I asked Bruce to turn it off. He assured me that it wasn't and that if I kept playing I would get used to "it." To some degree I did but I really felt like I would like an hour or two alone in a quiet room to really warm up to something so atypical. The sound is HOT. The sustain is long and it begins at a level that seems higher sooner. I still haven't got exactly the right description for it but it is definitely different than most anything else (read, wooden shanks). My fear is that the pianist that I am working for will also be frightened. This piano is in his teaching studio and then he and the students go to the recital hall where there is a Bosendorfer and a Steinway for their concerts. I'm worried that even if they do like or get used to the WNG shanks tonal production, they may find practicing on it and then shifting gears to the more conventional tone of the other pianos too much of a jump. I haven't drilled the hammers yet and have a set of wooden ones which I bought just in case. The design and material choice of these parts seems revolutionary in terms of stability and weight control, to me at least, and I really want them to work. I notice that Kawai with their entry hasn't gone to the shanks with plastic, perhaps for the reasons that I fear. Does anyone have any experience with this aspect yet? Or opinions? Oh I know there are opinions out there! I'm askin' for it. Thanks, Chris Solliday -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20100909/740da525/attachment-0001.htm>
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