Some years ago I did a summer gig at Interlochen. There was a full time student there who broke strings every day in the practice rooms, working on a 20th century smash, hit concerto. He was quite embarrassed about it and said "I don't even like this piece. My teacher insists I have to play it to win competitions." Ed S > > Never mind what I think of his use of the instrument or the musical result > of same. I am very curious, however, as to where he developed this tender > touch with fist and wrist, etc. He had to have left a long trail of > mangled instruments behind him somewhere, during his formative years. It's > unlikely that he just arbitrarily decided last Tuesday to take up this > approach. Who supplied the sacrificial pianos to indulge the years of > practice and refinement of his art form of choice? What's his practice > piano look like? > > Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC