On Jun 8, 2010, at 5:45 AM, David Stanwood wrote: > Please consider the importance of relating the subject of a post to > the content. > > I and many others would have loved to taken part in or followed the > recent CAUT discussion on voicing, which was under the Subject of > "Steinway extra-bore-length". Many of us who don't have the time to > open each CAUT message receive messages in digest form so we scan > subject lines for e-mails that interest us. So if the content > doesn't match the subject then we are excluded. Hi David, You are right. My apologies for not making that change. Perhaps this will serve to alert those who missed it, and might be interested, to the thread and its inaccurate subject line. I will also offer a few more thoughts on the subject. I think there is a continuum between "press" and "stab" techniques, which creates a progression in "spreading fibers" versus "tearing or cutting fibers." At one extreme, the needles start at the surface of the hammer, and are pressed in fairly slowly - shall we say one to two seconds to arrive at full depth. At the other extreme, the needles are accelerated from a distance - shall we say three to four inches away, with a very rapid and powerful stabbing action. To my way of thinking, it is clear that the former will minimize cutting and tearing, and maximize spreading. And the latter will do the opposite: maximize tearing and cutting, and achieve the least spreading. (Depth of penetration being equal). But there are many intermediate methods. A "stab" technique that starts very close to the surface would be little different from a "press" method that starts at the surface but accelerates very rapidly, for instance. The most destructive technique, I believe, is a pretty common one. The hammer is pretty hard, so a lot of stabbing is done, in which the needles only penetrate 3 - 4 mm into the felt. This makes it possible for later stabs to penetrate more deeply, but the damage has been done. Lots of stabs to the surface destroys the integrity of the outer layer, which is essential to the resilience of the hammer. When the outer layer is intact (relatively speaking), it is possible to do deep needling with a long single needle (penetrating 7 or more mm - farther than the initial deep needling), and make the hammer brighter and more powerful. This is similar to what Andre Oorebek calls "battery voicing" but it isn't confined to the lower shoulders. It can be done in mid to upper shoulders, and I believe it is more effective there. But the caveat is that it is only successful if the outer layers haven't been damaged by too much shallow stab needling. So, a few more thoughts along those lines, should anyone care to discuss them. Regards, Fred Sturm University of New Mexico fssturm at unm.edu
This PTG archive page provided courtesy of Moy Piano Service, LLC