Hi David, Can you explain why "smashes" are a waste of effort. Regards, Jack Houweling Sent from my iPhone On Dec 16, 2010, at 9:44 AM, David Love <davidlovepianos at comcast.net> wrote: > Yes, though employing forearm smashes (or even more vigorous individual note "smashes") as test blows in the hope that it will help achieve greater stability is a waste of effort. > > > David Love > www.davidlovepianos.com > > From: Alan Eder <reggaepass at aol.com> > Sender: caut-bounces at ptg.org > Date: Thu, 16 Dec 2010 12:38:33 -0500 (EST) > To: <caut at ptg.org> > ReplyTo: caut at ptg.org > Subject: Re: [CAUT] Rzewski forearm smash > > Rzewski is one of those pianists/composers with an intensely physical relationship with the instrument (to not put too fine a point on it!). > > Alan Eder > > -----Original Message----- > From: Zeno Wood <zeno.wood at gmail.com> > To: College and University Technicians <caut at ptg.org> > Sent: Wed, Dec 15, 2010 12:29 pm > Subject: [CAUT] Rzewski forearm smash > > In case you happen to be preparing a piano for Rzewski's Down By the Riverside, I recommend giving it the forearm smash about 50 times, because it happens about 49 times during the piece. -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/caut.php/attachments/20101216/bb68222b/attachment.htm>
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