[CAUT] Bechstein model B tuning stability

reggaepass at aol.com reggaepass at aol.com
Sun Oct 18 18:36:39 MDT 2009


If memory serves, no.  Part of Dan's approach is to have all joints welded together for extra rigidity.  Can someone else verify this?



Alan Eder


-----Original Message-----
From: David Ilvedson <ilvey at sbcglobal.net>
To: caut at ptg.org
Sent: Sun, Oct 18, 2009 4:08 pm
Subject: Re: [CAUT] Bechstein model B tuning stability




I remember Dan's article and the photo of the hammer.   Seems rather 
arge...does it break down for transport?
David Ilvedson, RPT
acifica, CA  94044
----- Original message ----------------------------------------
rom: "Fred Sturm" <fssturm at unm.edu>
o: caut at ptg.org
eceived: 10/18/2009 2:51:00 PM
ubject: Re: [CAUT] Bechstein model B tuning stability

On Oct 18, 2009, at 11:07 AM, Ed Sutton wrote:
>> Fred-
>
> The point of Dan Levitan's over-the-stretcher lever is not to  
> "eliminate flagpoling." The point is to eliminate unintentional  
> flagpoling. You are free to control flagpoling in all directions,  
> with or witout rotational forces.
>
> In a standard tuning lever, whenever you apply rotational force, you  
> are also applying a certain amount of tilting force, proportional to  
> the "rise" of the handle from the pin in the block, in the direction  
> you are pushing the handle to rotate the pin.
>
> In Dan's over-the-stretcher lever, there is no rise, so if you  
> rotate, you only rotate. But you are also free to tilt the pin in  
> any direction, intentionally, not accidentally. It's not at odds  
> with your approach, it's a more controllable version of your approach.
>
> Ed
   OK, fair enough. I "eliminate" the undesired tilt from the equation  
by using a 12 o'clock position (11 to 1, to be precise), meaning the  
tilt is at very close to 90 degrees from the string, and has minimal  
effect on the string. That works well for me. Dan's design is  
intriguing, but would require a major re-learning of technique. Which  
is not necessarily a bad thing. Sometimes starting again from scratch  
is a good way to leave bad habits behind. Dan's design also  
essentially requires the hammer be in line with the string, for  
geometrical reasons (though 6 o'clock instead of 12 for a grand). So  
the technique would be the same - lean the pin towards or away from  
the string for the given purpose.
Regards,
Fred Sturm
University of New Mexico
fssturm at unm.edu



-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://ptg.org/pipermail/caut.php/attachments/20091018/9b780471/attachment.htm>


More information about the CAUT mailing list

This PTG archive page provided courtesy of Moy Piano Service, LLC