Have you blown a hair dryer across the strings of a piano. Instantaneous lower pitch. Many times I've been tuning and in the course of the tuning a door would be opened and cold air would come into the room and the pitch would go up. Close the door and the pitch comes back down. Tuning in a cross over area at the Opera House directly below a vent which came on and the pitch went right on up...usually, it seems a couple of cents change... I have no doubt in your church example the piano acclimated to the temperature... David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: "Elwood Doss" <edoss at utm.edu> To: caut at ptg.org Received: 12/11/2009 10:46:08 PM Subject: Re: [CAUT] temperature and pitch >Fred, et al., >It is my observation that it is the soundboard swelling and contracting with the >change of humidity that takes place with the change of temperature that causes the >pitch change. As the soundboard swells, pressing up on the bridge, the strings >tighten and the pitch goes sharp. The opposite takes place when the soundboard >contracts as the humidity level decreases in the air around it. I should think wood >will respond to humidity/temp changes much more quickly that metal. After all its the >humidity change with the rise/drop in temp that has such a profound effect on the >tuning of a piano. >I would suggest that the change in metal, whether the plate or strings, with a 10° >temp change would be negligible, especially compared with the response of the >wood board. >I work in the Mississippi valley and, as with other parts of the country, we have wide >swings of humidity. In the buildings at UTM, there is a wide swing of temp and >humidity changes...from 30%/78° in the dead of winter with the heat on, and >80%/72° in the middle of summer with the air conditioning on. In fact, my rule of >thumb is pianos like cool, rather than warm, interior temperatures. >I recall tuning a Baldwin Studio upright at a small Methodist church in mid-December. >They turn the heat/air off during the week. I asked them to have the heat set at >the same temperature that they worship which they did. It was cool but >comfortable. In mid-January I received a call from the mother of the pianist who >said the piano sounded horrible the Sunday before. I made an appointment to meet >the pianist at the church. As I entered he was playing and the piano sounded quite >in tune. I noted the temperature was about what it was when I tuned it. As I >walked down the aisle, the pianist noticed my presence and exclaimed the piano >sounded great. I asked him if this was the normal temperature and he said; then >added a caveat..."when the little old ladies come in they jack the thermostat way >up." >I tune the piano at the small church where I serve and more than once I've thought >to myself during the morning worship service that I need to get over here and tune >that piano, a Baldwin spinet. During the evening service on the same day I'd think, >"the piano sounds great." The difference...the heat/air was left on all day and the >piano had an opportunity to acclimate to the temp/humidity level which was the >same as when I tuned it. >I feel these two examples are due to humidity changes that corresponds to the >temperature changes, rather than changes in the strings/plate. Certainly the >strings and plate can be affected by temperature changes but I don't see that as a >primary reason we see such a change in tuning stability with a 5° to 10° change in >temperature. >Joy! >Elwood >Elwood Doss, Jr., M.Mus.Ed., RPT >Piano Technician/Technical Director >Department of Music >355 Clement Hall >The University of Tennessee at Martin >Martin, TN 38238 >731/881-1852 >FAX: 731/881-7415 >HOME: 731/587-5700 >-----Original Message----- >From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Fred >Sturm >Sent: Friday, December 11, 2009 10:50 PM >To: caut at ptg.org >Subject: Re: [CAUT] temperature and pitch >On Dec 11, 2009, at 4:07 PM, David Love wrote: >> Can't comment on the amount of change per unit of temperature but >> the speed >> with which it happens is fairly quick. Started tuning a piano in a >> church >> this morning with the temperature about 50 degrees at the start. >> Pitch was >> about 2-3 cents sharp in the tenor section. Tuning up from there by >> the >> time I got to C5 (20 minutes or so) the temperature had risen to 70 >> with the >> heat on and a remeasure of the tenor section showed that the pitch >> was about >> 2 cents flat--pretty uniformly. Steinway D. It does show that >> there are >> clearly two aspects to pitch swings. Temperature in which probably >> the >> metal parts are affected, and humidity in which the wooden parts are >> affected. >What I think my example shows is the whole thing, strings and plate, >getting to the new temp and stabilizing there. Strings themselves move >pretty fast, especially if there is a bit of air movement with either >hot or cold air moving, or radiant heat (sun, stage lights). Some of >that is bound to be happening if the temp is rising in a room by 20 >degrees over 20 minutes. That is one thing. But another thing is the >plate catching up with the temperature change, and possibly/probably >counteracting the initial pitch change a bit. I am assuming that >happened thoroughly overnight in my example, that plate and strings >had plenty of time to come to a stable new temp. > Not that this is some kind of definitive proof of anything. I just >had the opportunity to take data from an experiment that happened >without my needing to go to any effort. So I did so and documented it >"for the record." One Steinway A under the conditions I described did >what I described. >Regards, >Fred Sturm >University of New Mexico >fssturm at unm.edu
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