Fred- You're clever. Can't you turn this into some sort of equation or chart? Something like: Flexible board + low tension scale + low downbearing = low impedence needs Soft hammer + light strike weight + high ratio = fast, light impact? Stiff board + high tension scale + high downbearing = high impedence needs Hard hammer + heavy strike weight + low ratio = slow, hard impact Is this making sense? Ed ----- Original Message ----- From: "Fred Sturm" <fssturm at unm.edu> To: <caut at ptg.org> Sent: Wednesday, April 15, 2009 3:04 PM Subject: Re: [CAUT] Weikert felt; was 80 year old S&S hammers > On Apr 14, 2009, at 5:23 PM, Alan McCoy wrote: > >> I will be using Ronsen Bacons on it. Reports to follow in a few >> months. The >> last set of Ronsen Bacon hammers I installed (last summer) were very >> good - >> consistent thickness and hardness (or softness, your choice) and >> weight. >> They were firmer than the same hammer from several years back, but >> still >> needing hardener. But on Del's design? I can well imagine not needing >> lacquer. > > Del's design for a Charles Walter grand uses Bacon hammers. When I > played one a couple years ago at a convention, I found it needed some > voicing, serious voicing down. I was floored when Del told me they > were Bacon and had been voiced somewhat (though he agreed they needed > more). > My take is that, for a thinner, more responsive board and lower > tension scale (like this), you need a softer hammer, a lighter hammer, > and a higher action ratio, to get the most out of it. The other end of > the spectrum is the Steinway D, which in current iteration seems to > need a heavy, hard hammer with low ratio. > Pure theory, which makes sense to me, but is untested in the field. > Regards, > Fred Sturm > University of New Mexico > fssturm at unm.edu > > >
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