Ron writes: << Yes, if it's to mean anything. For instance, I got the impression from previous discussions that Ray's Weikert felt hammers are somewhat harder that the Wurzen felt, which is itself somewhat harder than the Bacon. Is that correct? >> I haven't used Bacon felt, but the Weikert is softer than any Wurzen I have used. As far as boards dictating what hammer is "best", there is another dimension, and that is what the player wants. On any given board, the hammer comparison stays the same. If one hammer is harder than another, it is going to show that, no matter what piano they are tested on. A harder hammer might make more use of the Yamaha soundboard, but if the customer wants a softer Yamaha, they may be the way to go. I tried a trial Weikert hammer on a Yamaha, Bechstein, and Steinway. The character of the hammer was the same on all three. It was softer than any of the three, but seemed to compare to all in a likewise manner, ie, more fundamental and less brilliance than any of them. The Steinway made the most of it,though, delivering more power, (not to be confused with brilliance), than the other two. Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html <BR><BR><BR>**************<BR>The Average US Credit Score is 692. See Yours in Just 2 Easy Steps! (http://pr.atwola.com/promoclk/100126575x1221621489x1201450100/aol?redir=http:%2F%2Fwww.freecreditreport.com%2Fpm%2Fdefault.aspx% 3Fsc%3D668072%26hmpgID%3D62%26bcd%3DAprilAvgfooterNO62)</HTML>
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