Hi Dennis. I agree entirely, in the end shortcuts to voicing have always ended up yielding less then satisfactory results in my experience. I'd go so far to say that even with the worst sort of hammers an appropriate measure of patience will end up resulting in fine tone. That said. In the case of a decent enough piano like an S&S, you should be able to achieve a very satisfactory <<start>> voice in a couple days. Getting the basic first voicing tone you want with a reasonable degree of evenness is quickly enough done, but adding very careful hammer mating, second voicing... with attention to soft shift, string leveling etc can easily consume a a day or two before you start to get really satisfied. Then there is the playing in... and finding that middle road sweet spot that lets you address different pianists tastes quickly as the need arises. Took me about 8 visits on a D here that had been subjected to a myriad of different techs trying all sorts of stuff over the years to thoroughly sort out and stabilize the tone the hammers gave... and it requires follow up all the time. A new piano is perhaps a bit easier especially if you are the only one adjusting things. But its not done over nite and it isnt static over time. Cheers RicB Hi- Some recent experiences lead me to inquire how others may deal with certain impatient expectations regarding tone building on new hammers, specifically S&S hammers that require extra juicing in the treble. This is all standard procedure, but generally my experience shows that the best results are achieved not quickly but through a combination of playing in, hardeners and needles over a bit of time. Unfortunately, the event calender rarely allows for optimal time. Do you send a memo to everyone explaining all this? I've had similar problems as related to instability on a newly restrung piano being required for certain events before it is ready. Thanks, but having a bad day- Dennis Johnson
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