Can someone please explain why this "stresses the soundboard properly."
If I am improperly stressing soundboards, I would like to correct my ways.
Thank you.
Ed Sutton
The stringing recommendation from Steinway (given decades ago in an undated "Parts Price List") is quoted below:
In stringing Steinway Grands [sic], it is best to start at the top of the center section and work upwards thru the lower treble section and upper treble section to note #88. Then start at the bottom of the center section and work up to the top, then start at note #1 and work up to the top of the bass section. This stresses the soundboard properly to afford good working clearances in all cases.
Good advice, I think, although I don't quite adhere to it!
~ Tom McNeil ~
Vermont Piano Restorations
346 Camp Street
Barre, VT 05641
(802) 476-7072
In a message dated 11/12/2008 1:12:17 A.M. Eastern Standard Time, reggaepass at aol.com writes:
I don't know whether or not it has been mentioned on this thread, but I have heard that Steinway recommends (or, at least, DID recommend at one time) starting from the lowest note in the lower treble section (i. e., the lowest capo note) and stringing on up to the top, then the tenor (top to bottom, if memory serves). Anybody else ever hear of that procedure?
Alan Eder
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