I've been finding that if there is one particular component of the
action where a <<firmness-low-friction-no-wobble>> condition is without
a doubt big desirable its in the key travel itself. I run into various
vague complaints about control issues when the hammer shanks are too
friction-free. In fact I always opt for as firm a hammer travel as I
can get away with because it yields an apparent increase in the
solidness (for lack of a better term) of the tone. Much easier to
maintain exact hammer mating and related voicing issues that way.
Chris's comment is not an unknown one to me... but its not because the
thing is actually to even playing.... IME it falls into that category of
comments one has to get a closer explanation for from the pianist. The
more even you can get the actual mechanics of the action... the easier
it seems to achieve and maintain a good even voicing. I've never
experienced anyone making any kind of a comment that I could trace back
to something negative about the instrument being "too even".
Cheers
RicB
Beware of the "it's too smooth" complaint. Actually happened.
Chris Solliday rpt
> Fred:
>
> I don't have an answer to the firmness-low-friction-no-wobble
thing but
> there is an advantage to even friction in even touch weight. The
> highest compliment I feel I can get is when a pianist says
"it's so
> even!" If all the shanks are firm, sound good, no wobble
etc. but the
> friction is uneven you miss that compliment (and I like that
one!)
>
> dave
>
> David M. Porritt, RPT
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