I've been finding that if there is one particular component of the action where a <<firmness-low-friction-no-wobble>> condition is without a doubt big desirable its in the key travel itself. I run into various vague complaints about control issues when the hammer shanks are too friction-free. In fact I always opt for as firm a hammer travel as I can get away with because it yields an apparent increase in the solidness (for lack of a better term) of the tone. Much easier to maintain exact hammer mating and related voicing issues that way. Chris's comment is not an unknown one to me... but its not because the thing is actually to even playing.... IME it falls into that category of comments one has to get a closer explanation for from the pianist. The more even you can get the actual mechanics of the action... the easier it seems to achieve and maintain a good even voicing. I've never experienced anyone making any kind of a comment that I could trace back to something negative about the instrument being "too even". Cheers RicB Beware of the "it's too smooth" complaint. Actually happened. Chris Solliday rpt > Fred: > > I don't have an answer to the firmness-low-friction-no-wobble thing but > there is an advantage to even friction in even touch weight. The > highest compliment I feel I can get is when a pianist says "it's so > even!" If all the shanks are firm, sound good, no wobble etc. but the > friction is uneven you miss that compliment (and I like that one!) > > dave > > David M. Porritt, RPT
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