Beware of the "it's too smooth" complaint. Actually happened. Chris Solliday rpt ----- Original Message ----- From: "Porritt, David" <dporritt at mail.smu.edu> To: "College and University Technicians" <caut at ptg.org> Sent: Thursday, June 26, 2008 10:37 AM Subject: Re: [CAUT] Which S&S replacement action parts? > Fred: > > I don't have an answer to the firmness-low-friction-no-wobble thing but > there is an advantage to even friction in even touch weight. The > highest compliment I feel I can get is when a pianist says "it's so > even!" If all the shanks are firm, sound good, no wobble etc. but the > friction is uneven you miss that compliment (and I like that one!) > > dave > > David M. Porritt, RPT > dporritt at smu.edu > > > -----Original Message----- > From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of > Fred Sturm > Sent: Thursday, June 26, 2008 9:24 AM > To: ilvey at sbcglobal.net; College and University Technicians > Subject: Re: [CAUT] Which S&S replacement action parts? > > On Jun 25, 2008, at 9:18 PM, David Ilvedson wrote: > > > I have been working at this very thing at Stanford. Repinning all > > the D's. I repinned the Hamburg to 4 grams and a year later it was > > maybe 1 gram. I repinned again and used the very same center pin > > but had the friction back up...I was able to get about 5 grams. I > > think the bushing cloth is polishing the center pin and lowering the > > friction. My question is how do you know if you have adequate > > firmness? At least I can measure the friction level accurately... > Yes, there's the rub. OTOH, friction per se isn't a very useful > > measurement, if it is going to change and be unreliable. > Take key bushings. A wee bit of ironing on firm cloth with > raised > hairs, and you can reduce the friction by a great deal (as measured in > UW/DW), and the key itself feels the same (in wobble/lack thereof). > Spongy cloth can have very high friction, and have a great deal of > side play at the same time. I think action centers can easily be the > same. > My own process at this point, when I repin a full set of shanks, > is > to try not to remove any felt. I go up a pin size (half size, .001") > using burnishing to get there. Fast action with the burnisher, > creating heat. And apply protek to every bushing. This seems to make > it possible to get lasting and consistent results. And I feel > reasonably confident I have the best firmness I can get. > With Steinway, impregnated bushings, well, I find they stay firm > > quite well over long usage, and that measuring friction doesn't tell > me a whole lot. > > > > > > I've repinned a bunch of newer Yamaha grands measuring at barely 1 > > gram. I definitely find a much more focused tone. Cleaner and > > eliminating, for a time, voicing issues... > > I agree, with standard felt bushings I have the same experience. > I > believe that if the friction is that low, there will be a fair amount > of wobble as the hammer is thrown, and that is where the change occurs > (less wobble, not because the added friction "slows down" the motion). > OTOH, I have found some of those Asian centers where there is high > friction, and still there is wobble - noticeable when feeling the end > of the hammer, knocking. IOW, friction is a dangerous thing to focus > on in and of itself. That is essentially the point I am trying to > bring up here. When someone says "I repinned to a precise X grams of > friction" what does that mean? Could mean a lot of different things > depending on technique and materials. > > Regards, > Fred Sturm > University of New Mexico > fssturm at unm.edu > > >
This PTG archive page provided courtesy of Moy Piano Service, LLC