On Jun 26, 2008, at 8:37 AM, Porritt, David wrote: > Fred: > > I don't have an answer to the firmness-low-friction-no-wobble thing > but > there is an advantage to even friction in even touch weight. The > highest compliment I feel I can get is when a pianist says "it's so > even!" If all the shanks are firm, sound good, no wobble etc. but the > friction is uneven you miss that compliment (and I like that one!) > > dave > > David M. Porritt, RPT > dporritt at smu.edu Hi Dave, Yes, I agree, evenness is king, whatever the parameter. I had that thoroughly hammered home for me a couple days ago while doing a recording session (ie, me playing the piano, which I had, unfortunately, prepared - I hate wearing both hats for a specific gig). I had a section of about two minutes where there is a constant pianissimo trill done by the index finger and thumb of the right hand, while other fingers and hand do other things. I couldn't get the trill to sound or feel even, though I had been quite successful at it in rehearsal/practice at other instruments. I pulled the action and looked at the two notes. Sure looked pretty darned even to me. I looked closer. I ended up changing letoff, drop, and jack position relative to knuckle less than 1 mm each, changed dip of one note by .010", and did a wee bit of needling on one hammer (most of the problem seemed to be the relative feel of the jack rubbing the knuckle during letoff). And I was successful in pleasing myself. But it sure did reinforce the idea that you can't be too obsessive in pursuit of evenness. BTW, this kind of trill really accentuates things, because the keys are moved the tiniest amount possible - allowed to rise only enough to re-engage. Check doesn't enter into the equation, as the key is released before there is a chance for the tail to hit the check - at least I think this is true, I'd have to see high speed videography to be sure. I think absolute evenness of aftertouch is the biggest factor. Regards, Fred Sturm University of New Mexico fssturm at unm.edu
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