On Jul 26, 2008, at 8:35 PM, Jon Page wrote: >> and found that I obviously wouldn't be able >> to use my normal cranking technique: just hold the pin between >> (leather covered) thumb and index finger. > > I brace the pin on the first knuckle of my index finger as the thumb > forces the becket bend and coil. > Regards, > Jon Page Hmm, I can do that, but I'm not sure I want to do it 225+ times during a whole restring, or even a partial restring. So I decided to make a bigger one: cut .5" off the bottom of a pin, and sawed all the way up to the becket. It's soft metal, so that's not so hard to do, maybe a minute with a sharp hacksaw and vigorous technique (start with a triangular file making a score for the blade to follow). I sawed the kerf at a slight angle clockwise to the becket hole, so I hit it with the edge of the kerf around the middle of the hole. This leaves a little "slot" that holds the wire in place a little more positively. And then you make a slight turn and it slips down the slot. The hacksaw kerf wasn't wide enough for larger sizes of music wire so I had to expand it. I used those metal sanding files Pianotek carries, starting with the flexible and moving on the the stiff one. That expanded the slot enough to allow a wire to slide freely (a bit of work). And then ground the corners smooth so it will turn freely between finger and thumb. Now that I think of it, I remember a local colleague showing something very similar many years back, and me thinking "that's a heck of a lot of work just to be able to slip a coil, when I can pry it in very little time." But restringing a whole piano, that little bit of time saved per coil will add up. Regards, Fred Sturm University of New Mexico fssturm at unm.edu -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20080728/c7c08b3f/attachment.html
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