[CAUT] Forum format (was Re: Requirements forcontributing/posting;RPT status

David Ilvedson ilvey at sbcglobal.net
Fri Jul 18 01:12:31 MDT 2008


Without trying to annoy anyone...;-]  Does anyone know if the NY Steinway Sost system or the Hamburg Sost system came first?   Not that it makes any difference...I'm am trying to understand the logic for the two different ideas.   Because the sostenuto is a pedal function, it seems like the logical place for the sostenuto would be closely aligned with the damper system.   The NY system is closely aligned, but when the action is removed, there is no connection...you can only work on the system with the action in place...



Hopefully this can be discussed openly...freely...no pot shots...



David Ilvedson, RPT

Pacifica, CA 94044







Original message

From: "Israel Stein" 

To: caut at ptg.org

Received: 7/17/2008 10:13:10 PM

Subject: [CAUT] Forum format (was Re: Requirements forcontributing/posting;RPT status





At 09:33 PM 7/17/2008, caut-request at ptg.org wrote:





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Date: Thu, 17 Jul 2008 21:43:47 -0500

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IMHO Israel Stein's letter on how people learn or don't learn and why was rather illuminating and apropos to this discussion.



That would be the one in where I was personally condemned for not accepting the status quo of the Steinway sostenuto system, and presuming to change it rather than just learning to deal with it? 



Actually what you were accused of is refusing to take seriously the objections of those of us who actually like the action-mounted sostenuto. When you have to make a quick damper repair in a rush (like in concert situations or in some professional/institutional settings) - that belly mounted sostenoto really does get in the way and takes up time one might not have...But you highandedly dismissed those objections because - from your perspective - it is an improvement. Which is what the rest of my post was about. (For your information, it takes me about as much time to regulate an action mounted sostenuto as a belly mounted one - so  I don't need your "improved" sostenuto - and it does get in my way when I have to work on the Hamburg Steinway dampers. Or Yamaha or any of the others).  





And being ignorant of the give and take of the formal educational process, having acquired my apparently sub standard education outside an institutional setting?



No. Just a lack of respect for approaches other than your own...  





And being myopic in my inability to understand the value of knowledge acquired from others in a give and take instructor/student setting?



I think your original message reeks of that attitude - where you dismiss knowledge acquired in institutional settings in a rather jaundiced peroration... I took it as an attack on all those who attempt to teach and learn in that manner - and tried to give you a taste of your own medicine. 





And screwing up pianos for years as a result of lacking competent instruction, again, presumably in an institutional setting?



That remark was aimed not at you personally - but at the customary way in which an awful lot of technicians gain their knowledge. Perhaps you only screwed up pianos for a few months. Or perhaps you got it right on the first try - I mean you are a pretty smart guy...  Or did someone show you how? 







And one of the worst among the "self taught" in suffering from the lack of varied perspective of others, universalizing my own miserable experience, as a result of being unwilling to listen to anyone else?



The operative word there was "perhaps"... 





You mean that illuminating missive, with the comments of both parties being attributed to Mr Stein by virtue of lack of differentiation within the text, and the absence of my own signature and credit for my own comments?



I believe I took pains to correct that...



Israel Stein 
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