> Interesting article, Ron. I stand corrected in terms of the direction of the > forces at play... > > It would be interesting to know what would happen in your model if the board > were glued into the jig like it would be in the piano. I suspect capturing > the board by gluing it down (after it's crowned) could still contribute to > resisting forces by preventing the ends from moving as freely (regardless of > the direction). Huh? If you mean it stiffens the assembly, yes, I expect you're right. > Even if stiffness of the rim assembly does not contribute to retention of > the crown and/or downbearing, it does effect tone production. My experience > is the effects are dramatic, especially in projection, and especially in the > "killer octave". My point is that regardless of the effects of maintaining > crown, stiffness in the rim assembly seems to be is an important factor. Yes, a very important factor. > Steinway's methods of stiffening the assembly seem to work really well, and > they seem to hold up at least as well over time as other methods. I would > not want to eliminate one of them in order to install another.... Well, Steinway's little belly rail stick and bell are certainly better replaced with much heavier bracing and a real nose bolt. Given the customer's approval, and an appropriate check, I'll cheerfully make these changes every time rather than leave the original approach in place. Ron N
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