Ric writes: << I have not thought of this has being related to relative positions of the balancier and hammershank centers tho. And I am still a bit foggy on how these can contribute to this condition. << hmm, I may have stepped on a semantics snake, here. I didn't mean to say that the relative positions of these two *contribute* to the problem, but rather, illustrate the condition, ie, when the Knuckle is so low that the action cannot reset. One major cause, I believe, is that in the capsized state, the hammershank is resting on the cushion so its weight isn't helping the key return. this leaves only the spring to overcome the FW and return the key to its at rest position, which it is not designed to do. >> On the surface of it... it would seem that as long as you regulate with in reasonable correspondence to specs... all should work reasonably well. >> I agree, however, the normal in a Steinway is that the specs are all over the place, (generally owing to excessively high or low plate height). This is why the brand allows the creative regulator to excell. These actions respond to regulating according to principles rather that pre-set figures. I have increased the height of the rest cushions to overcome the capsizing problem. It is not only much easier than raising the cleats, it doens't upset the hammerflange pin to string relationship, (though there is often much to be improved in this regard if the pinblock is not too thick.) Regards, Over recent years, Steinway has begun to increase their allowable keydip to accomodate longer knuckle geometry, but that is another discussion. Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html <BR><BR><BR>**************************************<BR> See what's free at http://www.aol.com.</HTML>
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