Hi Ed Sorry if this got too intense for you, and for whomever else for that matter. The contribution to all this I have attempted to make is that there is a simple way of looking at certain requirements that are placed on the string when attempting to make assumptions about any contributing factor relating to climate pitch change. Regardless of breaking point percentages and the rest of it. If changes of segment lengths are to account for any significant amount of pitch change for any given string... then said string and that what is responsible for changing its length must be factually able in real world conditions to change thus. That indeed is the entire basis for Ron N's claim that the soundboard moving up and down can not account for any significant amount of pitch change. Which I agree with. The spread sheet I supplied quite simply describes what happens to the tension, length, pitch and downbearing force of any given string for any given change in deflection at the speaking length temination. It doesnt take into consideration friction at the various segment points... but rather spreads that evenly across both front and back length. Be that as it may, it very adequately describes certain conditions that very closely to must be met. If observered pitch changes can not match the kind of reasons we attribute for length changes... then something else must be at work. Much has been made of the low tension strings on the tenor end of the bridge. Here is a natural born fact. If you have a 1400 mm long string, with a 100 mm long back length, 1,2 mm Ø and set at 125 lbs tension and undeflected vertically... it will have a pitch of 89,42 hz. A 4.33 vertical deflection would be needed for a 0.1 mm increase in overall string length. This increase would increase tension on the string to 128.064 lbs. The combined increase in tension, and increase in length results in a pitch change of 1,21 hz. or a change of roughly 23 cents. Such a vertical deflection also carries with it a 5.9 lb per string downbearing force on the bridge. I personally am skeptical to a 4.33 mm change in vertical deflection by the soundboard / bridge to begin with, especially at the area of the low tenor. Secondly with that much downbearing per string I would think the board wouldnt be able to exert enough upwards pressure even if it wanted too... but perhaps I am wrong. Much more interesting is the idea that the bridge surface rises much smaller increments that cause an increase in string length by virtue of the increase in string offset angle through the bridge pins. In anycase... one needs to accomplish a 0.1 mm increase in overall string length to increase tension enough to account for a 23 cent change for this string. Just what cause(s) is (are) most likely is whats up for discussion. And in my book... it is a fun one, and an enlightening one. Tho I am not sure just how much practical daily daily good it does me beyond increasing my basic knowledge base. Certainly no reason for ruffled feathers or any other such reaction. Cheers RicB
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