I don't get some of this. I see nothing disproved. The coupled motion thing seems to be an issue of semantics as well as the para inharmonicity. I also disagree with the statement that tuning devices have shortcomings, They are just measureing devices and if there is a sound there, it measures it. How the data is interperted and used by the operator is where the shortcomings are. You know, a man can be a 5 time divorcee loser or a man who is not afraid to make a committment. Depends on how you word it. Keith Roberts On 6/10/07, Remoody <remoody at midstatesd.net> wrote: > > Was posted........ > """The bridge is not a ridged termination. (coupled motion of piano > strings). > If the rigidity changes with humidity then the string may appear longer or > shorter thus affecting pitch. Dean Reyburn refers to this effect as "para > inharmonicity"i.e."""" > > I would like to offer some arguments to disprove the idea of coupled > motion, and para inharmonicity, and to look at inharmonicity in a new > light. > > "Coupled motion" is dispelled when the definition of it is given. It is > not logical, rational, nor holds up to the Scientific Method of proof by > experiment. > > "Para inharmonicity" is a myth to explain (or excuse) the short commings > of tuning machines. > > Inharmonicity seems to be a valid scientific phenonenom but still eludes > consistant measurement. > > --Richard Moody > > > > > > -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20070610/f418d307/attachment.html
This PTG archive page provided courtesy of Moy Piano Service, LLC