I've been following this discussion with some interest, and don't have any strong opinions or data on one side or the other of the soundboard/bridge debate. However, I'd be interested in how the various factions explain the difference in humidity-related pitch change between the treble and bass bridges. We've all observed the same sort of difference with both solid-body and cantilevered bridges, so I don't think it can be explained by simply saying, "Bass bridges have more wood, so they expand and contract more." And how about those Yamaha C3s where the lowest octave of the tenor bridge has far greater seasonal pitch swings than any other part of the scale, treble or bass? Just wondering Bob Hohf
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