Hi Wim I think the point being made against string stretchers is the tendancy to misuse them, or use them in a way that can damage rather then contribute positively to the piano. Personally, I could easily live without one. I read Conrads note with interest. His posts always catch my eye. I'm not really sure I caught his point on this one tho... I was argueing against kinking the wire around the bridge pin... and he raised a disagreement which I couldnt find in his list of <<do's>>. He did mention a kink in relation to the counterbearing length... but I dont see how that relates to the bridge pin. In anycase... his list all seemed like good things to do to me... dont really see where he figures we disagree. Cheers RicB In a message dated 6/6/07 2:01:21 A.M. Central Daylight Time, ricb at pianostemmer.no writes: I have to agree with Ron N's statement about throwing away the string stretcher. Perhaps if I describe my string stretcher, it will make sense. It is a home made fulcrum type. I believe I got the idea from Greg Hulme. It is made entirely out of pin block material, except the for at the fulcrum, which is a bolt. A block of wood supports a long arm. On one end is a handle. On the other end is a block of wood with the tip the width of three strings. I put the block of wood on the keybed, and like a see saw, push down on the handle, which brings the tip up to the strings. I don't use too much force, but enough to get resistance. The strings are pushed up within two or three inches of the agraffs, but because of the design, I can only go up to about the middle of the 6th octave, or where there is not enough room between the belly and the plate. Pushing up on the strings would be like using a string puller to level strings. I have had good results with this thing. I've never broken a string or an agraff. Wim
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