I think those days are gone Wim, the nearly-new question, is acoustic or amplified? IOW, is the piano expected to carry the building acoustically, or will it be miked? If the piano is to be miked, it is probably part of an ensemble situation, where the feeling seems to be "the least space the piano occupies the better." The lid will rarely make it up to the 1/2 stick, so the acoustic output doesn't bleed into other mics, nor carry to the audience out of time-phase with the amplified sound. Nonetheless, who wants to listen to a grand piano shorter than 6', miked or not? If the piano is in a acoustic setting, I'm still not certain there is (or ever was) a ratio of piano size to room size. Consider (tiny) recording studios that insist on a concert grand, simply because of tonality. Back in my audio days (post tube amp/pre compact disc ;>) we encouraged clients to always purchase the largest amplifier they could afford, regardless of speaker or room size. As above, it was entirely about sound quality (dynamic range, etc.) NOT volume. (volume freaks always seemed to figure out how to "add some lacquer," via the bass and treble controls anyhow) So I will suggest any room described as a sanctuary or concert hall, decide between a 7' and 9' instrument. And if price is honestly not the determining factor, am not aware of any hall I serve (regardless of size) where a 9' concert grand would not be the ideal instrument. best regards, Mark Cramer,RPT Brandon University -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org]On Behalf Of Willem Blees Sent: Friday, September 15, 2006 11:42 AM To: CAUT Subject: [CAUT] sanctuary formula Has any one every devised a formula to figure out the optimum size of piano for a sanctuary? I realize there are a lot of variables with this, but what I am looking for is a guide to help churches and concert halls determine what size piano they should have. The dealer I work for and I discussed this the other day. There are too many churches that get too small a piano to fill the santuary, and then wonder why the piano breaks down after a couple of years Wim Willem Blees, RPT Piano Tuner/Technician School of Music University of Alabama Tuscaloosa, AL USA
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