Stan, The attached doc is a diagram created by Del Fandrich for modifying these capo pieces. I have not done this modification, but I have one SD-10 here that will eventually need something done. Del, you want to step in here? Alan -- Alan McCoy, RPT Eastern Washington University amccoy at mail.ewu.edu 509-359-4627 > From: Stan Kroeker <smkroeker at shaw.ca> > Reply-To: "College and University Technicians <caut at ptg.org>" <caut at ptg.org> > Date: Thu, 19 Oct 2006 12:25:39 -0500 > To: CAUT <CAUT at ptg.org> > Subject: [CAUT] Baldwin SD-10 questions > > Dear Colleagues, > > After years of rebuilding 'every other kind of piano', I have > recently invited a 1969 Baldwin SD-10 into my workshop. This will be > a first in dealing with the patented plate suspension system and the > accujust hitch pins. This piano suffers from several things: > snapping tight tuning pins (I believe Baldwin has a reputation for > this?), poor tone and 'sizzling' noises in the capo region (what are > those machined pieces called, which bolt to the underside of the > capo?). I love a challenge and am in the process of studying what > literature I can find on these unique instruments. Several questions > immediately spring to mind: > > Although I don't normally adhere to 'hard-and-fast' rules, I learned > long ago (the hard way) that it is generally false economy not to > replace the pinblock when the plate is out (for soundboard and bridge > reconditioning). However, the pins are so tight on this piano, that > I'm wondering if there might be merit in re-using the block, possibly > with the same size pins? Or, reaming for 3/0? Not sure why I'm > trying to talk myself out of a new block (it's in the budget anyway) > as I particularly enjoy this process. > > Secondly, those machined capo pieces appear to have a radius at the > string contact point, quite a bit larger than other pianos. I once > treated the sizzling strings on this piano by tapping them sideways > and back into position. This nearly eliminated all noises but it > didn't last long. What are your feelings on grinding a smaller > radius on these pieces or does case hardening preclude this? The few > times I have departed from a manufacturer's original design, it was > only with great trepidation but a solid conviction that it was the > only solution to the problem. > > Thirdly, the question of re-stringing on accujust hitch pins. In the > absence of specialized tools/jigs to measure bearing I can think of > several ways to at least get the strings back to their original > positions on the pins (digital calipers as depth gauge?) However, > perhaps this is an ideal opportunity to establish uniform bearing (if > it didn't exist previously). Although I have the Lowell downbearing > gauge, I find it rather cumbersome and unwieldy. On the several > soundboard replacements I have done, I have simply established > bearing with a string and thickness gauges. How about a rocker > bearing gauge and feeler gauges? > > Fourthly, the question of the plate suspension bolts. Actually, I > just blundered onto Nick Gravagne's article in the reprint book > (Pinblocks and Plates) which, as most of his writing does, de- > mystifies the process of relocating the plate. Any additional advice > to offer prior to teardown and subsequent re-installation? > > > Thanks and best regards to all, > > Stan Kroeker, RPT > > -------------- next part -------------- A non-text attachment was scrubbed... Name: BALDWINS.DOC Type: application/octet-stream Size: 65536 bytes Desc: not available Url : https://www.moypiano.com/ptg/caut.php/attachments/20061023/3ebed55b/attachment-0001.obj
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