Not sure I would agree with this. Loss of energy to the front duplex in the form of heat is simply lost. It will not be stored in order to be reflected back to the speaking length. The idea of the tuned front duplex was that it would vibrate sympathetically adding something to the overall tone. In reality, the sympathetic tuning actually encourages leakage and loss of energy. Detuning the duplex or shortening it or increasing the counterbearing angle or increasing the mass in the capo bar (as in a Boesendorfer) or some combination of all of these discourages "leakage" reducing the potential loss of energy in that section. Differences between pianos in the sound in that section are more likely because of differences in hammer/soundboard interactions than duplex design. This is evidenced when one makes an alteration of an existing counterbearing area, say in a Steinway. There is no significant change in the overall tone but the tendency for leakage can be greatly reduced. David Love davidlovepianos at comcast.net www.davidlovepianos.com -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of RicB Sent: Sunday, October 22, 2006 3:19 PM To: caut at ptg.org Subject: [CAUT] Baldwin SD-10 snip... The basic precept of the duplex idea as I understand it is that string energy is going to bleed past the capo no matter what you do. The front duplex length then is meant to store some small amount of this and reflect it back to the speaking length. Whatever relationship between speaking length and front duplex length was originally intended is perhaps less important then whether or not there is some positive effect for any given front length snip... As far as instruments very short front lengths like the Bechstein. They have a different character to their sound. One either likes it or does not... but comparing the two in the context of this discussion strikes me as difficult. They are completely different types of playing fields. Snip... Cheers RicB
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