[CAUT] Agraff levels

lafargue at bellsouth.net lafargue at bellsouth.net
Thu Jul 20 15:03:23 MDT 2006


so joe should now sell a base extension for those hard to reach areas.
I can never do the strut adjacent notes very well, which are usually the
most troublesome.    
 
 

Lance Lafargue, RPT

LAFARGUE PIANOS, LTD

New Orleans Chapter, PTG

985.72P.IANO

lafargue at bellsouth.net

www.lpianos.com <http://www.lpianos.com/> 

 <http://www.lafarguepianos.com/>  

 

 

-----Original Message-----
From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of
Becker, Lawrence (beckerlr)
Sent: Thursday, July 20, 2006 7:40 AM
To: College and University Technicians
Subject: Re: [CAUT] Agraff levels



Joe-

 

I have a way that works for me to use your bubble gauge near the struts
and where there isn't room between the dampers and v-bar.  I use a short
section of flat brass that has been squared at both ends.  Stand it
upright on the strings just in front of the damper, with the bottom of
the level in solid contact with the top of the brass piece.  I center
the bubble, then pluck the strings.  (Different than sitting the gauge
on the strings and seeing where the bubble goes.)  Trying to hold both
pieces in one hand might feel a little fumbly at first, but if I can do
it, so can most other folks.

 

Lawrence Becker, RPT

Piano Technician

College-Conservatory of Music

University of Cincinnati


  _____  


From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of
Joe And Penny Goss
Sent: Wednesday, July 19, 2006 3:45 PM
To: College and University Technicians
Subject: Re: [CAUT] Agraff levels

 

Hi Should have proofed

Their

The thinner vial is inserted into a hole drilled into the 1/4" body of
the level with a window that helps make certain the tool is used in the
same orientation each and every time.

The most often asked question?

"Does the piano need to be level?"

Yes, but only to determine if the bubble is in the window. If it is,
level to the same spot.

If it is not, one needs to shim a leg.

With uneven agraff,

level the strings to the foot of the tool with the least slant, and file
the hammer to mate the string.

At the struts often one or two unisons can not be leveled with the foot.
Eric Schandall showed me how he lays the level on its side under the
strut to reach these strings. 

Eric has purchased 20 or so levels. I think he gives them away to folks
who attend Steinway seminars and do not have one <g>

Joe Goss RPT
Mother Goose Tools
imatunr at srvinet.com
www.mothergoosetools.com

----- Original Message ----- 

From: Joe And Penny  <mailto:imatunr at srvinet.com> Goss 

To: College and University  <mailto:caut at ptg.org> Technicians 

Sent: Wednesday, July 19, 2006 1:16 PM

Subject: Re: [CAUT] Agraff levels

 

Hi Lance,

To my knowledge string - hammer mating was never done on the level (
sorry ) that it is today.

It was more a mater of mating the hammer to whatever the strings were.
Sorry if there was a problem when the una corda pedal was used.

It may have been Fazioli who was the first to use a level on their
instruments. There level was / is 

a piece of brass H channel with a vial in the top and the base cut so it
will cover just one unison.

Very light and for me too light. When one plucks the string too hard to
test for good mating, the level tends to bounce off the unison.

I introduced my first level at the Orlando national. It was way too
light. Only 10 were made.

We settled on using a brass blank that weighs about 45 grams and with
the vial almost 50 grams.

The only real change in the brass model was to use a thinner vial so
that the tool would stand up a little better to dropage without the vial
popping off.

Joe Goss RPT
Mother Goose Tools
imatunr at srvinet.com
www.mothergoosetools.com

----- Original Message ----- 

From: lafargue at bellsouth.net 

To: 'College and University  <mailto:caut at ptg.org> Technicians' 

Sent: Wednesday, July 19, 2006 8:42 AM

Subject: Re: [CAUT] Agraff levels

 

At the beginning of this thread I was concerned about an Estonia with
tilted agraffes and uneven agraffe/string holes.  It was to the point
that I couldn't bend a string enough to compensate for good
string/hammer mating. I have seen this on other pianos, but not this
much.  

 

It would be interesting to know who makes agraffes and are the plate
makers aware of the importance of a level plane (duh, probably).  With
the increase in our world-wide market for parts now, I wonder who makes
them.  

 

The bottom line is that you cannot prep a piano to a high level without
this to lay a foundation on.  

 

 

Lance Lafargue, RPT

LAFARGUE PIANOS, LTD

New Orleans Chapter, PTG

985.72P.IANO

lafargue at bellsouth.net

www.lpianos.com <http://www.lpianos.com/> 

 <http://www.lafarguepianos.com/>  

 

 

-----Original Message-----
From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of
Fred Sturm
Sent: Tuesday, July 18, 2006 8:53 AM
To: College and University Technicians
Subject: Re: [CAUT] Agraff levels

I don't know where Steinway buys agraffes, but they now own Kelly Plate,
and they have upgraded that facility to install a computer controlled
drilling process. The spacing of agraffes in new pianos is MUCH better
in the past two to three years. I suspect the square of the holes (hence
lack of cant of the agraffes) is much better, too - I haven't noticed
much trouble leveling strings on the few new instruments I have
serviced. They used to have Kelly drill their plates. Bad idea.  

All that said, perfection of hole drilling in cast iron is iffy at best.
The unevenness of the material itself causes bits to chatter, at least
in my experience. It's not like drilling brass.



Regards,

Fred Sturm

University of New Mexico

fssturm at unm.edu

 





 

On Jul 17, 2006, at 8:04 PM, Willem Blees wrote:





It sounds like we're talking about two different issues. One is the 

level of the agraff itself, compared to the level of the of the plate. 

What you claiming is that the plane of the agraff holes are not level 

with the plate. Which could be caused by poor drilling, or that the 

counter sink of the agraff hole is not flat, which will cause the 

agraff to cant to one side when it is tightened. 

 

The other issue is the holes in the agraff, which is what I was 

referrring to. Although there might be very minute differnces in the 

plane of the holes compared to the top of the agraff, I think the holes 

themselves are level. 

 

BTW, does Steinway make their own agraffs, or are they outsourced?

 

Wim 

Willem Blees, RPT

Piano Tuner/Technician

School of Music

University of Alabama

Tuscaloosa, AL USA

 

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