Thank you for sharing this. Great work! Alan -- Alan McCoy, RPT Eastern Washington University amccoy@mail.ewu.edu 509-359-4627 > From: <reggaepass@aol.com> > Reply-To: "College and University Technicians <caut@ptg.org>" <caut@ptg.org> > Date: Fri, 27 Jan 2006 14:52:05 -0500 > To: <caut@ptg.org> > Subject: [CAUT] "Ten Things..." attached > > Greetings Fellow Institutionalized Technicians, > > Attached is a draft of the outline I put together for a workshop > entitled, "Ten Things Every Musician Should Know About Pianos." Please > allow a few words of explanation before diving into it. > > Some background first. I am a regular guest speaker at piano > practica(?), composition classes and the like on subjects such as how > the piano action works, tuning systems, and non-traditional piano use. > So it was a natural progression for the piano faculty to invite me to > conduct a two and a half hour workshop as part of our January interim > semester. It started out being for pianists only, but there was so > much interest from composers and other music students that we opened it > up to everyone. The goal was to make some essential points amidst a > shotgun approach to multitudinous aspects of piano-abilia. We started > with some entertaining video footage, then launched into an action > packed hour and a half of lecture/discussion following (but not limited > to) the outline. We finished up with time for attendees to try their > hand at tuning a unison and retrieving a pencil from behind various > grand piano fallboard designs. > > And now for a few anticipatory remarks: > > OK, ok. I realize that: > > 1) This contains far more than merely "Ten Things."; in fact, it's > closer to EVERYTHING I would like musicians to know about pianos, > packaged under ten headings to make it more palatable (or perhaps we > should re-title it: "Everything You Always Wanted to Know About Pianos > But Didn't Know to Ask"); > 2) Many of the notations in the outline are short-hand for things I > expound upon extemporaneously; > 3) It is challenging to get through this highly introductory "list" in > 1 1/2 hrs.; I skim over much of the nomenclature and other items-and > acknowledge doing so-in the interest of introducing the terminology and > concepts so that when one of you attempts to communicate with one of > these students, some of the lingo will at least ring a bell; > 4) There may be things that some of you wildly disagree with: Let's > hear about it-don't be bashful, now. No offense intended; > 5) This is a work in progress; > 6) The original, unedited outline actually elicits laughs from > uninitiated readers, assuming a rather broadminded outlook on politics, > religion and sex (CalArts IS, after all, a private, left-coast art > institute.) > > But, hey.I was asked to share what I have, so here (albeit somewhat > edited) it is! > > Cheers, > > Alan Eder, RPT > California Institute of the Arts > > _______________________________________________ > caut list info: https://www.moypiano.com/resources/#archives
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