This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment These speculations are all very amusing, but seriously, John Cage was = quite sincere about these pieces, in the sense that he had a very = carefully considered philosophy and methodology of composing, and was = VERY interested in the uncontrolled, spontaneous moment as part of the = composition. The changes and unrehearsed differences that occur from = performance to performance (including different prep materials and what = people think he might meant by this or that instruction) were for him, = part of the music. This included audience reaction, which would = include, I feel certain, the controversies around the music like what is = in this thread right now. He hoped to evoke an awareness on the = listener's part as to what part of the musical experience is our = reaction based on expectations and preconceptions, and what part is = simply the spontaneousness of the moment-- and what it means to actually = have a "purpose" in the first place. In his playing with the very = definition of music, he was very influenced by an abiding interest in = Zen Bhuddism. He was anything but drug induced (joking aside), but was = a very articulate, fastidious man who was very health conscious. You = can Google him and find out all kinds of fascinating things about him. = When you see how important he was to a certain branch of musical = thought, he certainly commands respect for integrity of intent, even if = you remain uninterested in the music itself. We have a percussion instructor here who is a John Cage scholar and = serious fan. At least one of his works is performed here every year by = the percussion ensemble, and while it is true that you must carefully = control and instruct the pianists "preparations", I've never seen a = broken string due to this use. The worst that has ever occured is a = slightly cockeyed damper head, and after the problem and the way to = avoid it was pointed out, the problem did not recurr. We don't allow = the main performance instruments to be used for this purpose, and in = general a culture of respect and concern for the piano's well being is = fostered and maintained by all involved, beginning with myself and the = percussion instructor. With this as the basis for doing this music, = everyone can usually relax and have fun. Just my two cents. Greg Granoff Humboldt State University ----- Original Message -----=20 From: Jeff Tanner=20 To: College and University Technicians=20 Sent: Wednesday, October 05, 2005 10:36 AM Subject: Re: [CAUT] John Cage, "The Earth Shall Bear Again" On Oct 5, 2005, at 11:48 AM, Otto Keyes wrote: My vote is to let the earth bear it....again.....give the rest of us = a break outside the cage... Otto Well, I would vote with you, but it is beginning to look like my = preferences and suggestions that prepared piano accelerates piano wear = are being totally ignored. =20 "I just want to do something different"=20 "but it sounds so cool" Yeah, some people probably think the sound of an airliner colliding = with a tall building sounds cool and different too. Anyhow, I agreed to help her with the preparation. This piece didn't = look too involved as long as she lets me help. Rather do it that way = than find a bunch of maimed damper felt and broken strings. The problem = is going to become that she will want to rehearse it on a prepared = practice room piano from now till March. =20 Question is this: the instructions give exact distance from the = damper to place the screws, bolts, etc. How much does piano make and = model affect what Cage was after? (I mean, really, was there really a = method to his madness? or was this guy just really doing some serious = d-basing?) When he says "bamboo", is it a "slice" of large bamboo or a = "tube" of smaller diameter bamboo (like what he was using to snort coke? = maybe a doobie holder?)? green or dried? and what is usually used for = the "plastic" weaved around the low A, Bb, and B? Drink straw maybe? = (see snort) No. I'm sorry. I just can't take this music form seriously. But some = people want to give it merit. Jeff ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/93/12/7f/4b/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC