Jim, Very well said. Thank you. Best. Horace At 09:04 AM 1/5/2005, you wrote: >I'm a little concerned about some of the suggestions being tossed around >here. Someone said raising the back action bracket feet would not affect >the "magic line" through the capstan/wippen-heel contact. Oh, but it will! > Someone else suggested raising the front of the wippen rail, and tilting >it. Why? If you just tilt the rail backward, but otherwise leave it where >it is, it will change the magic line a little but, but it will screw up the >action spread a lot more, pull the wippens back, and you'll end up with a >bunch of broken jacks if you aren't careful. Raising the back of the rail >and tilting it forward would do the opposite. But why tilt the thing in >the first palce? I can't see it. > >Here's my suggestion for anyone who has a good knowledge of action >geometry. Just use your own good common sense, and forget all those "quick >fixes". They may be appropriate, but they may not. Unless that "magic >line" is way off, and the capstans are rough, it's not going to amount to >very much anyway. If it all lines up at some point during the key stroke, >it may not be ideal, but it won't be very far off either. > >I'm not nearly as concerned about an actual measurement of action spread as >I am about where things are. Look at the positions of the jacks in the >balancier windows, and where they end up on a hard firm blow with the key >bottomed out hard. If they are slammed up against the felt at the fronts >of the windows, you are in trouble, and can expect broken jacks. If the >jacks end up wedged between the knuckles and the balancier windows when the >key bottoms, you can expect jamming repetition. If the tops of the jacks >are still a mile away from the fronts of the windows when the key is >bottomed out hard, you can expect occasional skipping and cheating on fast >repetition. > >Sincerely, Jim Ellis > >_______________________________________________ >caut list info: https://www.moypiano.com/resources/#archives
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