[CAUT] Nossaman D

Jeff Olson jlolson@cal.net
Thu, 25 Aug 2005 16:18:33 -0700


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When I read the below, and accounts like it, one question -- well, there =
are many, but this is the fundamental one -- what percentage, very =
roughly, is based on strict mathematical/engineering calculation, and =
how much on intuition?

Any thoughts you'd care to shed on that, Ron (or others)?

JO
  ----- Original Message -----=20
  From: Porritt, David=20
  To: College and University Technicians=20
  Sent: Tuesday, August 23, 2005 8:58 AM
  Subject: [CAUT] Nossaman D


  We just got a piano back from Ron Nossaman's shop last Friday.  It =
used to be a Steinway D.  It is now a Nossaman D.  What a wonderful =
sounding instrument!  Gone are the irritating wound trichords, all the =
false beats and the killer octave.  Now it has a tenor bridge with 5 =
wound bichords, a new bass bridge disconnected from the treble bridge, a =
large bass cut-off bar, a treble fish, 22 ribs, and many other =
enhancements.  I hope Ron will jump in here and give whatever technical =
details he wants to give.  He even has some pictures of various parts of =
the redesign I hope he'll post.

  =20

  The new back action now has capstans under each underlever and the =
keys have an additional maple plate on the top of the key to help reduce =
key flex.  I am elated with the whole thing.  There are new ideas in =
piano construction even though not from our piano factories.  The =
Steinway D has been redesigned 4 times since its first introduction in =
1859 as the Style 4.  The last changes Steinway made were in 1915 so =
surely that's modern enough!

  =20

  This is the way a piano should sound IMHO!

  =20

  dave

  =20

  __________________________

  David M. Porritt, RPT

  Meadows School of the Arts

  Southern Methodist University

  Dallas, TX 75275

  dporritt@smu.edu

  =20

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