Does anyone know where to find out about the history of the agreement to standardize pitch at A-440? Like who was present and under what auspices was the agreement reached? Just curious as to whether the current disparity regarding this issue of an "international" standard is American conceit, European amnesia/intransigence or what. Along this line. Is it only the string section pushing for a higher pitch? If a string player wants more brilliance, is there a different way to achieve it other than changing the pitch? Like changing wire gauge? Does the higher pitch actually give a more "brilliant" quality? I'm probably addressing the wrong group here, but I'm still curious about this issue. Alan
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