Good description, Boaz. Eric Schandall uses the word "coast". Tune the string up to or nearly to pitch and let it "coast" the rest of the way. Boaz, As for #2 below, could you tell us at what level? ie: 6/3 4/2 octaves, etc. Of course, no octave can be tuned pure at all coincidental partials. Thanks, Jim Busby BYU -----Original Message----- From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] On Behalf Of Boaz Kirschenbaum Sent: Saturday, November 20, 2004 11:32 AM To: ed440@mindspring.com; caut@ptg.org Subject: [CAUT] Steinway Verticals Ed, I would agree 100% with Dale's assertion regarding tuning. I used to try the traditional tuning route with the Steinway verts, until Eric Schandall showed me a much easier and much more stable way to tune. 1. Pull the string from flat of pure up to pure, and set the pin to where you want it. In other words don't go sharp and then back down to pure. 2. Don't stretch any of the octaves, keep them all pure. 3. Don't hit the key too hard to set your pin, due to the longer pins, the pins will almost always flagpole more. It still takes 1.5 to 2 hours to get a pretty good tuning. I only tuned one NY vert that I thought was better than average as far as tuning quality is concerned (how the tuning sounded, not how hard/easy it was to tune). The German verticals area different stor (much easier to tune and voice). Not sure if that helps much since I'm basically re-stating what Dale put in the post a couple of days ago. I'm on the road right now working on a Bosendorfer 225 in L.A. so I'm away from the post for a little while. FYI, I dealt with Pacific Piano the other day by phone and they are very competent, helpful, and offer a good variety. -Boaz _______________________________________________ caut list info: https://www.moypiano.com/resources/#archives
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