This is fresh in my mind, because I just took a class with Paul Revenko-Jones las weekend on this subject. He's done a ton of research, going to the point of microscope inspections of the inside of the agraffes. Anyway, he described the best shape not as a v, but as an italic u. The more gradual side faces the tuning pins, while the steeper side gives a smoother termination to the speaking side of the strings. He uses a fret file to get the bottom profile correct. (from guitar repair sources) Of course, it's easier to see/do with the plate out. The description of the buzzing problem around the strut comes from the wide U, if the approach/wear angles are enough, coupled with the wire stiffness, you end up with wire in the middle of the U not touching an making a little buzz..... He had the same problem with some agraffes that weren't countersunk on both sides; took him a long time to find that one! You'd be amazed at the amount of time he spends on agraffes while doing a rebuild. Ron Koval Concordia U. _________________________________________________________________ Want to check if your PC is virus-infected? Get a FREE computer virus scan online from McAfee. http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
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