Hi all, This is always a good topic for discussion.... My gut feeling is that if the temperament is on the narrower side, you'll run into trouble getting the octaves, doubles and triples all to work as you go up to the top. I've worked a bunch on finding what works for me, and I "cheat" by using the Verituner. This machine allows me to set up custom stretches for big grands like so: Temperament A3-A4: A compromise between 6:3 and 4:2 octaves, with a 60%-40% weighting to the 4:2. A4-A5: Compromise 50/50 between 4:2 octaves and 4:1 double octaves. A5-A6: Compromise 40/40/20 between 4:2 oct, 4:1 double, and 2:1 oct A6- top: Compromise 60/23/17 between 4:1 doubles, 2:1 oct, and 8:1 triples Going down into the bass A3-A1: Compromise 75/25 between 6:3 octave and 4:1 double oct A1-A0: Compromise 55/45 between 12:6 octave and 10:5 octave The machine has a smoothing function to ease the transitions between the settings. I know some people that have gotten the new pocket RCT and still have the laptop version have experimented with a similar idea of 'balancing' between intervals using two machines running at the same time. Other Verituner users have tried this custom approach to using the machine and have reported back that this style really gives a nice harmonious resonance from bottom to top. Ron Koval Concordia University _________________________________________________________________ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
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