Hello, All, I'm curious about what the "standard" for concert tuning might be. How do you tune a concert grand in equal temperament (9' Steinway, for example)? What are your standards? I know pianos vary, but what are you personally trying to achieve when you tune concert grands? I'm trying to get a handle on what's really being done out there in the real world, apart from PTG's tuning exam. Questions: 1. When you set the temperament, how wide is your temperament octave, 4:2, or wider? If you choose wider, are you comfortable with the compromised (i.e. faster beating) 4ths, even if you get nicer, cleaner fifths? 2. How wide are your midrange octaves? 4:2 or wider? 3. When checking octaves and double octaves, do you strive for equal beating 3rds, 10ths, 17ths, or do the 10ths beat faster than the 3rds, and the 17ths faster still? 4. In the top octave do you tune clean 2:1 octaves, clean 4:1 double octaves, or do you stretch more than clean double octaves? If you stretch more than clean double octaves, how do you know how much more stretch you're introducing? Are you comfortable with the fast beating single octaves? What test(s) do you use when stretching beyond the clean double octave, especially in the last 1/2 of the top octave? 5. In the octave between C1 and C2, what should the beat rates for 17ths be? Thanks for your input on this. Richard West, University of Nebraska
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