Hi, Fred, Wim, et al, At 08:05 PM 12/2/2003 -0700, you wrote: > When the travelling virtuoso comes to town, just bring out 14 year old. >Tell him or her that this is the one Misha Dichter preferred, and that you >also >have a very nice new piano that hasn't been played much. Which do you think >they'll choose? The problem, of course, is that Misha has (dare I suggest it) real technique; and understands that piano keys are not simply on/off switches. (Many others do, too, obviously...his is just the name that came up.) I think this also makes your point (Fred) about the steeper voicing gradient. Very important to note that. It's kind of a fine line...whom do you try to please? The person from out of town who is there for one night (and may well, in many cases, only be interested in his/her check)? Or, the person with whom from a certain standpoint, you have to live? There is validity in both perspectives. The fun part is to try to set up an instrument so that it can, within limits, please both. Either way, as a technician, it is a win-win situation for those who want it. A very long time ago, a company official told several of us that they knew very well that the S&S piano was not necessarily the best single piano for any one purpose; but that it was the best compromise instrument...covering the required ground at a higher overall average than those that perhaps had lighter/faster actions and/or "cleaner" sound (whatever...these are just examples). That person is now long dead...and, even if they weren't, it would have been a long time since the marketing types there could be that honest about things anyway. The point is that, from a certain standpoint, it really doesn't matter whose name is on the fallboard. Our work is to make _that_ piano the best that it can reasonably be...often under less-than-optimal circumstances. If you want a real treat, try to get to a live recital with Cipa and Misha...very different, but very complimentary playing. Nice to see folks who so thoroughly enjoy making music. Best. Horace
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