Humidity (was Re: workload simplified)

Fred Sturm fssturm@unm.edu
Tue May 7 10:11 MDT 2002


Vince,
	Thanks for the real life example of the effect of Damppchaser system
installation. With respect to your comment that variances in humidity
might have limits, I generally disagree. It's a complex issue, because
just coming up with an annual variance figure doesn't really give the
full picture. As you state, often the major humidity change occurs
"between seasons" (which I'll interpret as being most commonly over the
summer). But even taking that to be the case, meaning (usually)
extraordinarily sharp pianos to be pitch-lowered in the fall, exactly
how extreme the change is will "echo" through the fall semester. 
	In my situation, we have a typical rise of 50% between April and
August, leading to _major_ pitch lowering of every single piano (20 - 50
cents is normal, meaning that range on every single piano). If all the
pianos are pitch lowered and fully tuned by the beginning of the
semester (I wish), four weeks into the semester, after the humidity has
dropped its typical 10 - 15%, every piano needs a pitch raise and full
tuning. And again more or less every month until humidity reaches and
stays at bottom. To keep faculty piano studio pianos in adequate tune
would require weekly full tunings (the piano profs and students suffer).	
	And of course there is also the issue of "micro" changes, within one
day, week to week, depending on weather (how much is the heating system
being used, how humid is the outside air which is being brought in to do
air exchange: a rain storm after a dry period has resulted in a 15% rise
in humidity over a period of a few hours in a couple instances I have
measured. Leading to virtually every unison on the concert grands being
"out of tolerance.")
	As I look at it, it isn't so much a question of workload per se as one
of quality. Places with lousy humidity control learn to live with lousy
tuning to one extent or other, because no place can afford what it would
take to keep tuning up to high standards (or if they do, it is probably
limited to very specific pianos). Bottom line is, if you want quality,
you have to have at least some degree of humidity control. I really
don't think the current multiplier for high variance (0.4 for 50% plus)
adequately reflects the theoretical workload need. But maybe it's
extreme enough to get attention.
Regards,
Fred
Vincent Earl Mrykalo wrote:
> 
> Fred, et. al.,
> I would like to comment on the humidity variance factor.  I have found that
> before dampp chasers were installed in piano faculty studios, to adequately keep
> them in tune, I did full tunings on them every two weeks.  With the systems
> installed, I would go in every week and just tweak the tuning (10 min.), after a
> full tuning once per month.  We have humidity swings of about 30% on average.
> This works out to be 9 hours worth of work per semester before the dampp chaser,
> and 6 hours after it was installed.
> It seems to me that more than 30% humidity variance would not have necessarily
> increased the 9 hours, because the brunt of the changes would happen between
> seasons.  So I think that variances in humidity may have its limits.
> vince


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