List, Just thought I'd share about my weekend. We just finished the International Piano Festival here at the University of Houston with artists Abbey Simon (faculty), Misha & Cipa Dichter (New York) and Ursula Oppens (Northwestern University faculty). Concerts went great and everyone seemed to really enjoy them. The fun began last Monday when Abbey's Baldwin was flown in from New York (Baldwin Artist). A freight company picked it up at the airport here and brought it to the university, then my regular movers came to take it out of the road case and set it up. We found the fallboard off both its "hooks" and the key slip also off the cheek blocks. Also, I found that the keys of app. the top two octaves or so, were off their front rail pins and shifted to the bass end. Of course, I couldn't remove the action because of a bunch of hammers being up in the air. When I got that corrected and tried to remove the action, it was wedged somehow and refused to come out. Underneath the piano, I found that the soft pedal lever that actually shifts the keyboard was wedged up tight somehow. When I pulled on it, something sort of "clunked" and then the action could be removed. I saw that the key strip on top of the keys behind the fallboard was broken, which is why the keys were out of position, I'm sure. I glued it back as good as possible (some wood was missing around the screw hole), called Baldwin C & A in New York and told Danny about the problems and suggested he have the factory send me a new key strip, which was done. Because of the types of problems, his belief was that the piano had taken a fall somewhere along the line. After examining the road case, I totally agree. It's built from a very hard neoprene material of some kind, with metal banding around all the edges and across the long sides and on wheels. It had very probably fallen over flat with the piano in it, up side down. There was obvious damage to the case, with the metal edging pried up/bent in a couple of places and scrape marks along the black sides of the case, as if a fork lift had been used to pick the case back up. Then early Saturday morning, I went into the hall and discovered that the heating had gone off overnight and it was then 63 F. in the hall. The Dichters even had to practice that morning in that cold. The physical plant called in a technician and they were finally able to correct the problem. Then it eventually got up to around 75 F., which was "too" much! I called again and they managed to regulate the temp. some more. But it sure caused havoc with the tunings. They both went fairly flat, so I had to basically do pitch raise type of tunings to try and settle them down. Really fun when you only have 3 hrs. to tune two pianos together. This is one particular time when I was really glad to have the SAT III. Then on Sunday, I had to tune completely aurally for the final concert because my SAT locked up somehow and refused to come back on. But that's another story. It was good for me to tune aurally, anyway. Ah, the life of a "concert" technician (whatever that is). :-) Avery ______________________________________ mailto:atodd@uh.edu - Work mailto:avery@ev1.net - Home Avery Todd, RPT Moores School of Music University of Houston Houston, TX 77204-4201 713-743-3226
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